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Het Nieuwe Instituut will accept applications for two research fellowships. A pre-selection of applications will be made by the R&D department.

Marina Otero Verzier
Director of Research

Dr. Marina Otero Verzier is an architect and the director of research at Het Nieuwe Instituut in Rotterdam. She leads research initiatives such as “Automated Landscapes,“ and “ Architecture of Appropriation.” Recently, she curated the exhibitions “Spirits in the Material World” by Heman Chong (2019), “teve Bannon: A Propaganda Retrospective by Jonas Staal ” (2018), and co-curated “Malware: Symptoms of Viral Infection” (2019), and “I See That I See What You Don’t See ” at La Triennale Di Milano (2019). She is part of the curatorial team of the upcoming Shanghai Biennial.

 

In 2018 Marina was the curator of “Work, Body, Leisure,” the Dutch Pavilion at the 16th Venice Architecture Biennale (2018). Previously, she was Chief Curator of the 2016 Oslo Architecture Triennale together with the After Belonging Agency, and the director of Global Network Programming at Studio-X- Columbia University GSAPP (New York). Marina is a co-editor of Unmanned: Architecture and Security Series (2016), After Belonging: The Objects, Spaces, and Territories of  the Ways We Stay In Transit (2016), Work, Body, Leisure (2018), Architecture of Appropriation (2019), and More-than-Human (forthcoming, 2020). She studied at TU Delft, Columbia GSAPP, and ETSA Madrid, where she completed her PhD. Her thesis 'Evanescent Institutions' examined the emergence of a new paradigms for cultural institutions. Marina teaches architecture at RCA in London. From September 2020 she will be the Head of the Social Design Masters at Design Academy Eindhoven.

Delany Boutkan
Research Department

Since 2019, Delany Boutkan has been in a long-term collaboration with the Research Department at Het Nieuwe Instituut in Rotterdam. Her writings are published by cultural platforms including MacGuffin magazine, Onomatopee Projects, PS Sandberg / Sandberg Instituut, and Kunstlicht journal and she has developed public programmes and exhibitions at Van Abbemuseum (2018) and Het Nieuwe Instituut (2019 / 2020). She has facilitated conversations and workshops in several art and design academies including Graphic Design Arnhem (ArtEZ), Istituto Europeo di Design (IED) Madrid, Jan van Eyck Academy and Willem de Kooning Academy. Delany obtained her MA degree in Design Curating and Writing at Design Academy Eindhoven (2018).

Ludo Groen
Landscape and Interior, Research Department

Ludo Groen works at the Research Department of Het Nieuwe Instituut and The Berlage at Delft University of Technology, whilst practicing architecture from his eponymous studio. He holds a cum laude degree in architecture from both The Berlage’s Post-Master, and Delft University of Technology’s Master of Science. His writings are published in StrelkaMag (2020), OASE Journal for Architecture (2019), Architectural Association’s DUE (2018), and The Berlage’s Necessarily Eurometropolitan (2018).

Anastasia Kubrak
Materials and Things, Research Department

Anastasia Kubrak works as a design researcher at Het Nieuwe Instituut, and teaches in MA Social Design at Design Academy Eindhoven. Her work has been published by cultural platforms including ARCH+, Valiz, The Institute of Network Cultures and The SITE Magazine, and her projects have been exhibited by venues including Science Gallery Dublin, Seoul Mediacity Biennale, Van Abbemuseum, Onomatopee and Bureau Europa. She holds MA in Visual Strategies from Sandberg Instituut (2018) and graduated from BA Man & Communication (2016) at Design Academy Eindhoven.

Marten Kuijpers
Landscape and Interior, Research Department

Marten Kuijpers is an architect based in Rotterdam, and researcher at Het Nieuwe Instituut. His work concerns the often invisible political and economic forces, scripts and mechanisms that shape cities and their hinterlands. His current research focuses on the implications of automation for the built environment, as part of the research project Automated Landscapes, launched in 2017 by Het Nieuwe Instituut. Marten was curator of several exhibitions at the institute, including Sicco Mansholt: A Good European, which examined the spatial implications of postwar agricultural policies in the Netherlands. Marten studied architecture at the University of Technology in Eindhoven. Between 2010 and 2013, he curated the lectures and debates program of the Netherlands Architecture Institute.

Setareh Noorani
Research Department

Setareh Noorani is an architect, researcher, zinester, and part of experimental music collective Zenevloed. In her projects and creative involvements, she uses various media to explore ways in unfolding and embodying, questioning processes of trauma and time, always in the grey space between academic and artistic research. This involves investigating, disrupting, and unfolding archives through spatial investigations and cathartic self-publishing practices.

Her current research at Het Nieuwe Instituut focuses on qualitative, paradigm-shifting notions of decoloniality, feminisms, queer ecologies, agencies (non-institutional, non-authorship), and implications of the collective, more-than-human body in architecture, its heritage and its multivocal futures, as part of the new project Collecting Otherwise and the cross-institutional The Critical Visitor. Setareh holds a MSc in Architecture (cum laude) at TU Delft.

Klaas Kuitenbrouwer
Digital Culture, Research Department

Klaas Kuitenbrouwer studied history at the University of Utrecht, developed an art practice that moved into the field of digital culture. Since the late 1990ies he works at the intersections of culture, technology and ecology and he researches, curates and moderates events in this field. In Het Nieuwe Instituut he is researcher, primarily in the context of digital culture. He was responsible for – among other projects – the Garden of Machines (2015), 51Sprints (2016) Gardening Mars (2017), co-curated the Neuhaus temporary academy for more-than-human knowledge (2019). Currently he is developing the zoöp project, a legal format for collaboration between humans and collective bodies of nonhumans. He has been teaching media and other theory at the Rietveld Academy since 2002. A consistent element in his work is the intersection of different knowledge practices: technological, artistic, legal, scientific, and nonhuman.

 

Katía Truijen
Digital Culture, Research Department

Katía Truijen is a media theorist and musician based in Rotterdam. Since 2014, she has been developing research projects and public programs within Het Nieuwe Instituut's Research department. Her current research focuses on the politics of contemporary video culture. She was assistant curator for Work, Body, Leisure, the Dutch Pavilion at the 16th Venice International Architecture Biennale in 2018, and co-editor of Architecture of Appropriation: On Squatting as Spatial Practice (2019). 

 

Her writing has been published by cultural platforms including Sonic Acts, Museum Boijmans Van Beuningen, Virtueel Platform, Simulacrum, Institute of Network Cultures, IDFA DocLab, WhyNot and FIBER. She holds an MA in New Media and Digital Cultures and BA in Media and Culture at the University of Amsterdam, and completed the Art & Research Honours Programme at the Gerrit Rietveld Academie. Previously, she taught at the University of Amsterdam, department of Media Studies, and was a guest lecturer at the Vrije Universiteit Amsterdam, Design Academy Eindhoven, ArtEZ University of the Arts and the Nederlandse Filmacademie.

Marina Otero Verzier
Klaas Kuitenbrouwer, Katia Truijen, Marten Kuijpers, Anastasia Kubrak
k.truijen@hetnieuweinstituut.nl
Alex Walker