Het Nieuwe Instituut develops the following research projects based on the programme tracks Landscape & Interior, Materials & Things and annual themes.
‘Automated Landscapes: Architectures of Work without Workers’
Based on the premise that automation disrupts not only labour markets but also the configuration and design of entire territories, ‘Automated Landscapes’ seeks to document and reflect upon the emerging—and anonymous—architectures and landscapes of fully-automated, non-human work. The project follows an ongoing commitment of Het Nieuwe Instituut to address the implications of automation and artificial intelligence for architecture, design and digital culture.
Architecture of Appropriation
The squatting movement has played a major role in the design of the urban fabric and the domestic interior. Using spatial improvisation and radical, subversive tactics, rather than master plans or conventional design strategies, squatters have proposed alternatives to the dominant, market oriented housing policies, arguing that the people’s right to a house supersedes the right of property ownership.
In order to acknowledge the legacy of the squatting movement, Het Nieuwe Instituut is conducting research into squatting as an architectural practice. The research has so far manifested in an installation Architecture of Appropriation by design studio ZUS [Zones Urbaines Sensibles], in combination with a display of historical material from, among others, the International Institute for Social History, several city archives, personal archives of former squatters and Het Nieuwe Instituut’s own collection. The project uses the exhibition as a site for research, and collects materials for the publication around questions of vacancy, property, and proposes alternative urban and domestic arrangements and housing policies.
Algorithmic Culture is a research programme at Het Nieuwe Instituut that critically investigates the nature and effects of the entanglement of culture with algorithmic processes.
Architectures of Security
Het Nieuwe Instituut participated in the Future Force Conference, organised by the Netherlands Ministry of Defence, which took place in the Hague on 9 February 2017. The Future Force Conference is a highly innovative international networking conference addressing the theme: From partnerships to ecosystems: combining our efforts for a more secure world. Het Nieuwe Instituut contributed to the conference with two breakout sessions under the title Base of the Future and with speakers such as Malkit Shoshan, Jan Willem Petersen, Ekim Tan and Marina Otero Verzier.
Five Research Commissions
New Archive Interpretations
In 2014 Het Nieuwe Instituut launched New Archive Interpretations, a series of commissions for artists, designers and researchers to examine the influence and impact of the digital archive in relation to its analogue predecessor, the paper archive. Over a two-year period they investigated the challenges and opportunities of digital archives.
The Mansholt Letter
The 34th World Expo opened in Milan on 1 May 2015. Under the title ‘Feeding the Planet. Energy for Life’, a collective of national states, multinationals and relief agencies assembled for the occasion will present the future of global agriculture, food and energy supply to millions of visitors. This occasion has prompted Het Nieuwe Instituut and Slow Food to initiate The Mansholt Letter; a plea to European policy makers for the introduction of a moral food policy and a new élan for the European Union.
Drones and Honeycombs
Drones and Honeycombs is a long-term research project. It investigates the impact of the contemporary war and the global security apparatus on our physical environments and on our cities. In the past decades, and increasingly after 9/11, the frontline of war moved to the city. What does it means for the city, for architecture and for our roles as designers?
Dual Exhibition on Dutch Structuralism
Dutch Structuralism is a movement in architecture in the late '50s and early '60s that renounced the technocratic planning that characterised the post-war reconstruction of the country. Instead, its proponents asked space for the poetic and emotional aspects of architecture, in order to come to a truly dignified living environment.